Works Cited:

Easton, Phoebe Jane. Marbling: A History and a Bibliography. Los Angeles: Dawson’s Book Shop, 1983.

Feeney, J.L. The International Bookbinder. International Brotherhood of Bookbinders, 1912.

Fletcher, William. Bookbinding in France. London: Seely and Co. Limited, 1895.

“France–Japan relations.” Wikipedia, 29 August 2017, en.wikipedia.org/wiki/France%E2%80%93Japan_relations#19th_century. Accessed 2 October 2017.

Hopkinson, Martin J. Ex Libris: The Art of Bookplates. New Haven: Yale University Press, 2011.

“Paris between the Wars (1919–1939).” Wikipedia, 28 September 2017, en.wikipedia.org/wiki/Paris_between_the_Wars_(1919%E2%80%931939). Accessed 2 October 2017.

Tannery, Chouara.“Traditional Moroccan Leather Tannerie”. 2012. https://moroccanbling.wordpress.com/2012/07/28/traditional-moroccan-leather-tanneries-fez/. Assessed 27 September 2017. 

Wolfe, Richard J. Marbled Paper: Its History, Techniques, and Patterns with Special Reference to the Relationship of Marbling to Bookbinding in Europe and the Western World. Philadelphia: University of Pennsylvania Press, 1990.

“British Museum - Term details.” British Museum, www.britishmuseum.org/research/search_the_collection_database/term_details.aspx?bioId=118522.

Ives, Colta. “Japonisme | Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art.” The Met's Heilbrunn Timeline of Art History, www.metmuseum.org/toah/hd/jpon/hd_jpon.htm.

Bowker, John. The Concise Oxford Dictionary of World Religions. Oxford: Oxford University Press, 2000.

 Methodology:

As the 11th edition, there have been numerous copies produced of this book that likely contain the exact or close to exact textual content in relation to each other. What makes this book a notable subject of study is the unique qualities that were added as the book was rebound with the old cover pressed as a page.

Photography was an essential instrument in capturing not only 2D pictures for reference, but also in the formation of the 3D model that depicts the book as it exists in the physical world.

Materials identification for the paper and binding was done primarily through online research and conversation with special collections staff.

One notable difficulty in analysis is the subject of the book's typography. Due to majority of the book being italicized and it is unknown whether the typeset differs between the title and actual text, actual identification of the font could not be determined. This is a potential area of research that can be expanded upon.