Works Cited 

Armstrong, John. The Poetical Works of J. Armstrong. London, 1796.

“Armstrong, John.” Dictionary of National Biography. Vol 2. 1885-1900. 

Akenside, Mark. The Poetical Works of Mark Akenside. London, 1795.

Cooke, Charles. Catalogue of the works of the pocket library already published, which may be had in volumes, sewed or bound. ... Select poets. ... Goldsmith ... Gray ... Armstrong        ... [London], [1800?]. Eighteenth Century Collections Online. Gale. Georgia State University. Accessed 29 September 2017.

British Library, Preservation Advisory Care. Damaged Books. 2010, PDF file, https://www.bl.uk/aboutus/stratpolprog/collectioncare/publications/booklets/damaged_books.pdf

"line engraving." Oxford Reference. 2004-01-01. Accessed 11 November 2017

“Mark Akenside.” Britannica, https://www.britannica.com/biography/Mark-Akenside. Accessed 25 September 2017.

Pye, John. Patronage of British Art: An Historical Sketch. Longman, 1845. 

Reese, William S. “THE RARE BOOK MARKET TODAY.” The Yale University Library Gazette, vol. 74, no. 3/4, 2000, pp. 146–165. JSTOR.

Rinaldo, Karan. “Evaluating the Future: Special Collections in Art Libraries.” Art Documentation: Journal of the Art Libraries Society of North America, vol. 26, no. 2, 2007, pp. 38–47. JSTOR.

“Stipple Engraving.” Oxford Reference, Oxford University Press, 16 June 2017.

University of Virginia. “Ex Libris.” UVA Magazine, 8 June 2010, http://uvamagazine.org/articles/ex_libris/. Accessed 11 November 2017.

“William Ridley.” National Portrait Gallery, National Portrait Gallery. Accessed 11 November 2017.

 

Methodology Statement 

Unearthing information about texts that have been long-forgotten can be tricky--it can ask us to make assumptions, deductions, and to think critically about what was the most likely possibility given our knowledge of how texts were produced and treated hundreds of years ago. While researching, we were not able to fill in the gaps with solid evidence. We hope that our research has opened new doors of thought to how we consider the history of these works, and how we preserve and nurture these works for the future. The text's future may see an increase in perspective, which we hope will lead to more research, higher value, and higher emphasis on other texts that have limits on their ability to be digitized, but are otherwise worth exploring. Akenside and Armstrong have taken a long journey to end up being studied by Georgia State University. The texts have a history, a likeness, and a story to share. Finally, now that the text has been picked apart, analyzed, and digitized, we can continue to study it and texts like it for the foreseeable future.